Archive for Uncategorized

Dressing Rooms for Circus Performers: Luxury or Necessity?

November 20, 2019 Comments Off on Dressing Rooms for Circus Performers: Luxury or Necessity? Uncategorized

We’re often asked whether artists *really* need a dressing room. There’s a bathroom down the hall, and they can store their stuff under the DJ’s booth, right? …… Right?

Well, it’s a little more complicated than that.

What Actually Happens in the Dressing Room?

Dressing! Cirque-style costumes often consist of complicated layers, unusual closures, specialty fabrics, etc. Having a dressing room offers us a clean space to put on multiple pieces, and ensure that everything is secured where it ought to be.

Make-up! Stage makeup involves LOTS of little brushes, pots of paint and glitter, lashes, hair and head pieces, etc. A good dressing room should have at least one mirror for performers to put their best face forward.

Warming up! As you can imagine, cirque acts aren’t the kind of thing you can just “bust out”. A good warm-up usually takes about 30 minutes. Many acts also use this time to review bits they’ve recently changed, or parts of their acts that are very difficult. If the venue doesn’t have another space suitable for a warm-up, performers will often use their dressing room.

Connecting! Duo and group acts have a unique relationship. Connecting before a show through a shared warm-up, pre-show rehearsal, etc. is essential for the artists to work in sync.

Storage! Performers have a lot of bags – rigging, costumes, props, personal, etc. Please believe me that it gets REALLY AWKWARD to have performers in street clothes digging their belongings out from underneath the DJ stage in full view of your guests!

Common Questions

“Seriously – why can’t you just change in the bathroom?” Aside from the ick factor (bathroom floors can be yucky to stand on barefoot), cirque costumes can be complicated to get into! A sleeve dipped in toilet water, or the leg of a costume being dragged through tinkle sprinkles as you try to get into it is pretty far from optimal. Then there’s the putting on our makeup in full-view of guests (which really diminishes the “magic factor”), no place to store our things, and difficulty of doing a warm-up in there – you can see why this isn’t the best option!

“How much space do you really need?” Ideally, 5×5 feet per performer (and a private bathroom is always a plus). We realize this isn’t always possible, so let us know what you have and we’ll get creative to make it work!

“What should be provided in a dressing room?” Enough space to dress and warm-up (unless there is an alternative space available for warm-up), a table, a mirror, adequate lighting, heat or air conditioning, and bottled water (4 bottles per performer) or a water fountain/water cooler. The space should be private – no guests, service staff, or audience members should be walking though.

Why a Dressing Room Makes Events More Awesome

Perfectly done costumes and make-up look amazing, and really ramp up the WOW factor! Additionally, when performers have a good warm-up, acts are full-out and at their best – THIS is what you want! Designating space for your artists means that you get exactly what you envisioned: spectacular artists in gorgeous costumes doing incredible things. Dedicated rooms for dressing and preparing make a big difference! Dare to imagine, Laura

Flower Power!

October 30, 2019 Comments Off on Flower Power! Uncategorized

What is Flower Power?

Flower Power is a groovy, psychedelic circus experience! From Austin Powers level costumes to 60’s Mod, this theme is really far out. Break out the lava lamps, bead curtains, and fringy vests!


What Does Flower Power Look Like?

Here’s an example of a Flower Power event we did for Ray Catena Auto Group!


What Do Flower Power Artists Need to Perform?

  • We can include any ImaginAerial act in this theme! Especially fun are aerial hoop (lyra) and hula hoops.
  • Costumes range from brightly colored psychedelic prints to a classic 60’s Mod look.
  • Artists can perform acts while mingling with guests, on a stage or pedestal, or as part of a show.
  • Flower Power ground artists need a clean floor space, and about 5×5 feet of space on a stage, pedestal, or floor.
  • If UV blacklight is desired, the client will need to arrange for UV units through their lighting vendor.
  • If you have questions (and I’ll bet you do), zap us an email and we can talk you through it.

Luminarium “Lite”!

August 30, 2018 Comments Off on Luminarium “Lite”! New Offerings!, Stage Shows, Uncategorized, Updates!

Last weekend, we had the extraordinary pleasure of debuting the new PORTABLE version of our glow-tastic circus extravaganza, “Luminarium”! With a free-standing rig, small UV stage lights, and a whole lot of talent, this show can pop up just about anywhere. Have a look!

Returning to Cirque du Floyd! Artist Guest Blog by Chris Delgado

July 12, 2018 Comments Off on Returning to Cirque du Floyd! Artist Guest Blog by Chris Delgado Uncategorized

Even as an artist, your work can sometimes feel like drudgery, and often you find yourself compromising your vision or feeling like a little cog in a big machine. When the exception comes, you take notice, and that exception is Cirque du Floyd in Floyd, VA.

Floyd is an amazing little town, and being a part of their previous festival was a personal high point for the entire year. Floyd feels like an oasis filled with creativity, color, laughter and love. Before the performance last year, I was able to spend some time enjoying the festival and town myself. Everyone was so welcoming; from the home brewed kombucha, to the delightfully delicious Floyd country store, to the massive kites that kids taught me to fly. The community was exceptionally warm and appreciative.

Now, we find ourselves back in the studio tweaking our glow extravaganza “Luminarium”, and it couldn’t feel better. Rehearsals are all about following the laughter. What feels good? What looks good? If it makes us laugh, it’s goin’ in the show! It’s so freeing to create a show that is as quirky and silly as we are.

We’re working with our usual crew of amazing artists, and this year’s show is a quirky spin on corporate culture – Luminarium Corp, where the circus is the everyday! During your first day interview, you may wind up sitting on your own head. The afternoon circle around the water cooler might just get up and roll away on it’s own. And at the end of the night, someone’s got to climb a 20 foot pole to turn out the lights. It is an office that is never next door, but in the fantasies of every dozing desk job daydreamer. To everyone reading, hope to see you in Floyd! Dare to imagine, Chris

Yes, It IS Your Business! Or *A* Business, Anyway!

December 5, 2017 Comments Off on Yes, It IS Your Business! Or *A* Business, Anyway! Uncategorized

One thing I see again and again in our circus community is a near fanatical refusal to see ourselves – our talent, our skills, our offerings – as a business. Is it any wonder, then, that we’re asked all the time to work for free? The sooner we get on board with the business side of what we do, the sooner folks begin taking our work seriously. Because, even though we love it, it is WORK. Am I right? I’m totally right.

Are YOU a Business?

If you are trading (or hoping to, anyway) your time and talents for money, you are a business. If that thought makes you want to barf, you can think of this in any number of ways – you are an artistic product, a creative (business) entity, a glittery money magnet; however you want to think of it, if you are a professional trading goods or services for money, you’re a business. So, riddle me this: why aren’t you treating yourself that way?

For many of us, it’s that we signed up to be artists, not business people.  LEGIT! Sadly, this changes nothing. You have two choices: 1 – run your own business, or 2) pay someone to do it for you (agent or manager). Many of us come down with a foot in both camps, which is also fine, so long as we’re working our hustle. But what does it MEAN to run a business?

The Basics

Whether you’re selling widgets or a lyra act, the mechanics are surprisingly similar.

  • Idea/Product/Talent – whatcha selling? Cube act? Handbalancing? Artsy stuff? Get clear on what you’re offering and who your audience/client/buyer is.
  • Maintain Basic Standards of Professionalism – your work should be professional level, and you should be able to supply everything you need to do your work (rigging, apparatus, costume, makeup, etc.).
  • Procedures & Operations – your rules and policies (yes, you have these as an individual), and how your business works. Do you require 50% to hold the date? Do you have a 3 week booking deadline? How do people work with you? Any and all policies and the *how to* of your business should be clearly written down. **Note: make it EASY for people to hire you.
  • Marketing & Promotion – how do you spread the word about your awesomeness? Are you being consistent?
  • Finances/Pricing – what do you charge? Don’t reinvent the wheel every time – flexibility is fine (HA!), but aim for the same ballpark. Make sure you’re factoring in your expenses, everything from insurance to gas and tolls, and PAYING YOURSELF. Got a total? You need to charge more than that. Also – get a good tax person.
  • Your Team – who keeps you fabulous? As circus artists, we often have: costumer, PT, tax lady, acupuncturist, massage therapist, apparatus supplier, graphic designer, etc. Keep ’em on speed dial!
  • Hustle/Entrepreneurial Spirit – your act ain’t gonna sell itself, m’dear! Refine your hustle every damned day. Return emails and phone calls PROMPTLY, let people know you’re out there, fine tune your professionalism, be the artist who creates solutions not problems, etc.

When You Meet Resistance

Many artists think it’s somehow traitorous to treat this industry like the business it is. If you’re one of them, I strongly suggest you get an agent, or get so damned good that people will put up with your crappy business practices.

If you just have no idea where to start, I’ll share with you a life-changing piece of advice: google that sh*t up. You are NOT the first person to ever ask a question. How much should aerial artists charge? Google it. Where to get a freestanding aerial rig? Google it. How to sew a spandex costume? Google it. After you’ve consulted the Google Oracle, get the Facebook groups to weigh in (search aerial arts, circus, etc – join those groups!).  Ask your peers. Ask your coaches. Subscribe to all the circus blogs (there are a lot of them). Call local circus schools. Don’t stop until you have an answer (or 20). It was suggested to me a few weeks ago that the younger generation doesn’t know how to google, to which I say bullsh*t. Don’t expect information to be spoon fed to you. Take charge of your education, your business, and your career, or you will never thrive in this industry.

**Note that FB  & public forum chats are with the community at large, so mind your P’s & Q’s – folks in this industry have a loooooong memory. Be polite, and try not to get yourself blacklisted before you get out of the gate.

Whether you’re a born entrepreneur, or someone for whom the very thought of sending out a newsletter makes your skin crawl, it’s all the same: love it or hate it, it’s a business. Treat it that way. Dare to imagine, Laura

Who Pays for What?! Managing expense expectations

November 13, 2017 Comments Off on Who Pays for What?! Managing expense expectations Uncategorized

You GOT a GIG!

AND you get to fly somewhere cool. Now what do you pay for and what does the company hiring pay for?! It has come to my attention that there is not always a clear understanding of how away gigs work. Who picks up the tab for what? Some of this may seem super obvious, but you’d be surprised at how many performers don’t really know. And how much it can vary across similar industries.


1. Equipment, costume, make-up. You are responsible for bringing your own aerial equipment, costume, make-up, and any necessary rigging. If you are a silk artist, you need to bring a silk. If you work on a lyra, you need to bring a lyra. If a company makes specific silk color request, they will often then provide the silk in that color and rent or buy it themselves, but not all the time. You may need to do that. However, if you have the color they ask for, you are expected to bring it. I actually had a silk artist tell me they “usually” charge for fabric rental. Um.. this ain’t my first rodeo.  Also if you don’t have a Cirque-style costume, get one ASAP. I’ve been shocked what relatively talented people have considered would pass for a costume. Again, a company may provide, but don’t expect them to.

2. Cleaning. After a gig, you may need to clean your costume and/or silk. Do not expect a company to pay for that. Cleaning your stuff is part of being a working artist. Also, if the tape on your lyra is grungy or your white silk covered in blood, best to check for these things before the gig. Don’t show up with your equipment like that.

3. Equipment transport. This is a bit dicey. ImaginAerial always pays for equipment transportation from home to the gig and back. BUT not all companies do. Throughout our performing career, we sometimes paid for it and sometimes got it paid for. Ask first, then factor it into your price if need be.

4. Transportation. Flights are always covered and usually ground transportation, once you land. However, not all companies will pay for cabs to the airport and back home. Same with gas for driving to a gig. We pay, some don’t. Don’t expect every company to have the same policy. Just ask.

5. Per diem. Again, Imaginaerial covers this for away gigs, but not all companies provide this. Also the amount you receive will generally be appropriate to the place. You won’t get much in Asia, but should receive a lot in Scandinavia. Be savvy to that. Also if some or all meals are covered, you will be getting less or possibly nothing as well.

6. Stopping for a holiday, going to another gig, or visiting family. It’s fun to travel on gigs! It’s basically like getting a free flight somewhere. Especially when I was childless, I loved taking a few extra days to explore cool places.  If you decide to take a trip after a gig is over, don’t ask the agent/producer for anything once you leave on your own. It is not their responsibility. Your trip, your responsibility. If you stay in the same spot, then you may politely ask if it is at all possible to get the return flight a week after everyone else has left. Most will do this, but remember it’s a bit of an extra pain, so appreciate the favor. Also if the producer kindly even flies you somewhere else after a gig upon your request, remember that once you hit that spot, you are on your own including cabs and luggage fees. The producer also has no responsibility to get your equipment to some other gig for another company after the contracted gig of theirs.

Finally, this business is about relationships and reputation.  If you want to work with a company again, the best policy is to err on the side of caution. Did you think something should have been covered and it wasn’t? First ask politely about it, as it’s possible it was just an error. And if they tell you it’s not covered, thank them for the clarification and WALK AWAY. Chalk it up to learning and if they ask you back, factor it into your price for next time (but don’t necessarily mention that). Just tell them your rate went up a bit. If they won’t hire you at the higher rate and you feel like it’s really a deal breaker that say, wifi isn’t covered, don’t work with them again. But do NOT work with them again and again and then complain all over creation about the fact that wifi isn’t covered. The producer WILL hear about it and it won’t win you any points.

Also arguing directly for why you think wifi should be covered will most definitely backfire. No one wants to be accused of stinginess by the person they just worked to get a job for. Chances are they’ve already considered the issue and decided a while ago why they don’t want to cover it.

Be gracious, and decide what matters to you and what doesn’t. If you made less than you would have liked, chalk it up to a learning experience and be on the lookout next time. Some compromises we can live with and some we can’t. Be clear for yourself what they are and ask about them in the future. The rest just let go.
As performers, we worked with some extremely difficult producers. We have some stories, but we kept getting asked back. Prior to signing a contract, it was always a bit of a back and forth, but once signed, that was it. And we always sent a hand written thank you note that had nothing to do with our check or other logistics, after it was done. I swear it made a huge difference.

Please feel free to comment if this differs with what you’ve experienced or include any stories about your expectations.


Dare to Imagine…


Angela Attia

Our Gig In Mumbai!!

November 6, 2017 Comments Off on Our Gig In Mumbai!! Uncategorized

If you haven’t been to India, it’s often hard to describe. It’s just like nowhere else in the world.
You first get introduced to the chaos upon attempting to leave the airport at midnight with everyone laying into their car horns at once.
But the India experience isn’t just a cacophony, it is also intense color and beauty. Nobody is going to the opera in sweats here. Nothing muted, all-in vibrancy. There is a visceral rawness to it, like an exposed nerve, a place of extreme stimulation.
We were a part of a huge show, a celebration of Zee Entertainment’s 25 Years. The show included flying drummers, mirror men, a 20 min Bollywood number, kids breakdancing, people dancing in swirls of blue sand. And 8 aerialists in a pear tree 🎶. There was smoke and lasers and giant screens. Lots of them. It made the Super Bowl halftime show look like a kids recital.
Despite being given a show order that was scheduled to the minute, the CEO started to just call the show in the middle of the whole thing. We also were told AFTER our final dress rehearsal that our music would be totally different AND a minute longer. And saying “no” is futile. I didn’t know whether to laugh or cry. So I often just alternated.
But despite everything, the consummate professionals I chose worked together and got the job done, and not just done but beautifully done. And the show was indeed beautiful as you can see from the video. Limits were tested, but we all pulled through and the audience loved it.

all the dancers who performed with us!

Our Crew!




And now we are back home in our quiet little New York City. Go TEAM Z!


Dare to Imagine…


Angela Attia

Relationships – The Real Art of Juggling Hats in Circus

September 5, 2017 Comments Off on Relationships – The Real Art of Juggling Hats in Circus Uncategorized

In any given week, I wear A LOT of hats. So do all the people around me. For example, take my dear friend Chris! In just one week, we were:

  • Good friends
  • Teacher/student
  • Boss/employee
  • Both students
  • Both employees
  • Both teachers
  • Director/performer
  • Co-producers
  • Counselor/train wreck

…. and the list goes on and on. We’re not romantically involved, but for many circus artists, that’s added into the mix as well (or parenthood, family relationships, agents, advisers & mentors, etc.). It’s a crazy world, friends! We juggle a lot of relationship hats – more than most folks. How do you keep them all sailing smoothly and avoid cringe-worthy collisions?

A Hierarchy of Hats

It behooves you to get veeeeery clear about who’s wearing what hat when, and the balance of power associated with each one. Behavior that flies when you’re in friendship mode may not be acceptable when someone is your director or teacher. To make things even more confusing, there are often shades of appropriateness depending on the situation. An agent I love working with often calls me “Beautiful Goddess” when I answer the phone, and I call him a silver-tongued devil; we would both keel over dead if that happened in front of a client, but it feeds our professional relationship when it’s just us on the phone. Joking and chatting may be fine in a private with my handstand coach, and can serve to deepen trust and coach/student bonding, but not in a group class where more respect needs to be given. When I have my Boss Lady hat on, I’m your boss, but PLEASE don’t treat me like the boss lady when we’re all at the bar after the show! See how murky that can get?

Working in circus, you have to get VERY COMFORTABLE switching those hats out fast. Pay close attention to behavior, boundaries, and where respect and deference need to be given. Do it right and you can enjoy a strong circle of phenomenal coaches, friends, cast-mates, artists, etc. Do it wrong, and brace yourself for some far-reaching ripples (don’t ask me how I know…..).

Should I Date My Circus Peers?

Well, that depends a great deal on you. Circus folks – well, all performers really – are a pretty incestuous bunch (not literally – don’t be gross). We all know at the beginning of the tour that SOMEONE will hooking up with someone else, am I right? I’m right. Plenty of us met our spouses/SO’s at work! You’re together all the time, you totally “get” each other’s lives, and let’s face it – we’re all gorgeous. 😉

I, for one, think that, so long as everyone can be professional adults, date away! But with a couple of caveats:

  • I’ve never heard of a circus performance company forbidding cast dating, but I’m sure there’s at least one. Find out if there’s a policy (and follow it to the letter), or whether it’s frowned upon.
  • Have the conversation about how you’ll continue to work together professionally before you see each other without your costumes on (wink), or once things seem to be getting serious – whichever comes first. No judgment.
  • Know that, if things go south (in the bad way), you still have to work together. You cannot make waves, make others uncomfortable, or cause drama in any way. If you KNOW that’s not you, then when you’re feeling the urge to merge with a co-worker, I want you to take your Metrocard out and hold it firmly between your knees for the duration of your gig. #problemsolved 😉


It Gets Easier

As with so many things, juggling those hats gets easier and easier the more you practice – I’m still figuring it all out, but it really does sort itself if you pay attention.  You will make mistakes – own it, apologize, and move on. We live together, train together, perform together, teach together, learn together. Embrace it! Dare to imagine, Laura

Being Asked to “Audition” by Working for Free?

June 14, 2017 Comments Off on Being Asked to “Audition” by Working for Free? Uncategorized

SERENITY NOW. Every time I think I’ve seen it all, I’m proven wrong in the WORST WAYS. This is a message going out to all the brand spankin’ new aerialists, or those who have Big Aerial Dreams, and I hope it reaches the people who need to hear it most. Here goes.

The Latest Really Shady Business Practice

Picture this: you go in for a job interview at Morganstern and Wompbottom Law Offices. You meet Ms Morganstern, and the interview goes something like this.

“So, I see you want to be a legal secretary.”

“Yes, yes I do! I’m really eager!”

“Great! So, we’ll just need you to work a few days as an audition. Then, if we like you, maybe we’ll give you the job sometime down the road.”

“…… OK….. that seems a bit unusual, but may I ask what the rate of pay will be for the few days?”

“Oh – like I said – it’s not really work, it’s an “audition”. You know, so we can see if we like you. No pay.”


The latest thing to crop up here in NYC (and probably other places) is the Working Audition – a company will express interest, but want you to work a night for free in order to be considered for regular gigs. Friends, this is not how this is supposed to work. Many companies have apprentice programs, where green aerialists learn the biz by performing at a reduced rate for a bit while being actively trained, but free? No bueno. If this is a professional event (as opposed to a volunteer situation for everyone), you are being taken advantage of, and (unintentionally) undercutting our industry.

If someone asks you to work a gig for free as an audition, RUN FAR FAR AWAY. This is not how this business works.

Beware of Artist Pyramid Schemes

What the heck would that look like? Maybe someone offers “free aerial training” in exchange for working a few gigs, and entry into This Fabulous New Company (wow – I’ll bet that aerial training is going to be REALLY TOP NOTCH). Oh – and hey, you’ll also need a professional video that’s $$. And headshots that are $$. And a costume which is $$. And you’ll also need this workshop…… See where I’m going with this?

Want excellent training? Look around – you’re swimming in it. Broke? Plenty of spaces offer work study. That “training” you’re going to get from a pyramid scheme is gonna be worth as much as those gigs – $0.00. Do it right. Take classes, put in the time, and if someone offers you aerial work with “no experience necessary”, RUN AWAY.

Not All Arrangements Are Bad

I’ve seen arrangements between teachers and students work out a number of ways. Some teach in exchange for the student doing admin work, or assisting with other classes. Some teachers put in the time in exchange for a percentage of the artist’s earnings for x number of years. Some companies get newbie performers up to speed by training business specifics on the job (and providing costumes, apparatus, rigging, etc) in exchange for a reduced rate on the gig. Arrangements exchanging excellent training for other services can work out great, so long as the training IS excellent and there’s a real spirit of equity.

That said, an audition doesn’t equal working a gig free. That isn’t an audition, that’s working a gig for free. They could just as easily have you come into the studio and do a legit audition. Newbies beware – shenanigans abound. Dare to imagine, Laura

PS – Scammy McScammertons, you’re being put on notice.


Packing for Tour – Everything But the Kitchen Sink! Wait…. Grab That Too…

May 9, 2017 Comments Off on Packing for Tour – Everything But the Kitchen Sink! Wait…. Grab That Too… Uncategorized

Hey friends! I was recently asked – what should you pack when you’re headed out on the road on tour? Here’s my current list!

  • Clothes – laundry facilities may sometimes be spotty, so plan ahead. Pick one color and stick to it – everything should go with everything else. I just bring all black – it’s great for theater stuff, doesn’t show as much dirt, and easy to accessorize. Choose stuff that absolutely doesn’t need dry cleaning, and that doesn’t wrinkle.
    • For travel and training, I wear pretty much the same thing – t shirts/tunics and leggings or sweat pants. (7 days)
    • Socks-n-undies (7 days)
    • One nice enough outfit. I bring a stretchy black dress, and pair it with a fancy hair doodad, earrings, etc.
    • If you’ve got more room, bring a few cute clothes.
    • Shoes – one pair of exercise shoes, and one “all purpose” pair – boots, ballet flats, whatever’s comfy. If you’re really short on space, pack socks and/or undies in your shoes.
    • A baseball cap is super useful!
    • Any seasonal clothes you’ll need. Do your homework – nothing is worse than freezing or melting because you packed the wrong clothes.
    • Jewelry bag – don’t take any family heirlooms on tour! Stuff gets left places, dressing rooms might get “visited”, etc. Stick to a few well-chosen – but not priceless or too sentimental – pieces.
    • I section everything into plastic freezer bags or zippered packing bags – life gets a lot easier.
    • Bring a laundry bag or pillow case for dirty laundry.
    • Pack an open bar of soap or a sachet or two in your suitcase to keep your clothes from getting that “I am living out of a suitcase” smell.
    • Toiletries and your personal makeup if you use it.
    • Ear plugs and an eye mask to make nutty sleep schedules a bit more humane.
    • Neck pillow
    • Small pharmacy that I bring:
      • Tylenol & Advil
      • nasal spray
      • band aids, liquid bandage, tape
      • melatonin tablets
      • Burts Bees Res-Q Ointment (for burns and ouchies)
      • Capsaicin HP (anti-inflammatory cream)
      •  A few Imodium caplets (take a box if you’re going to be in areas without potable tap water)
      • a couple of “Smooth Move” tea bags in case things get…. backed up
      • any meds you take regularly
  • Show
    • Rigging – whatever you need, in a separate bag from your personal stuff as this will likely ride in the truck with the equipment. You’d rather be looking at it than looking for it, so troubleshoot and bring whatever you need.
    • Apparatus/Props – do a GOOD AND THOROUGH inspection of your apparatus and rigging before you head out. Make any repairs needed (trapeze padding, for example), and order new fabrics  or rigging if need be.
    • Grip aids – bring extra if you use it. Spray rosin often may not fly, so pack your powder.
    • Costumes – bring your main and a backup. Also, pack a small sewing kit.
    • Makeup – bring an extra set of lashes & glue, and make sure you have enough of whatever you’ll be using to get you through the tour.
    • A small can of FDS for tights and thongs that have to make it through multiple shows between washings (or bring a big old bunch of thongs and tights).
  •  Household
    • SMALL refillable bottle of laundry detergent, or bring pre-filled packets.
    • A small stash of plastic bags in various sizes.
    • 2-3 large trashbags if your luggage isn’t waterproof – makes a great impromptu covering.
    • Duct tape – it’s just so damned useful.
    • I always bring a few clothes pins or binder clips – again, crazy useful.
  • Office
    • Phone, computer, and any converters you may need for international travel.
    • I always travel with an “office in a bag”, which includes:
      • small flash drive
      • odds and ends – paper clips, rubber bands, stamps & a few envelopes, etc.
      • post it notes
      • pens
      • legal pad or spiral notebook

And, of course, whatever you need to keep yourself entertained on long bus rides! Entertainment is easier than ever (thanks, technology!). Bring good ear phones though – nobody wants to listen to your music. 😉

And I think that’s it! I’ll probably think of 1000 more things by the time I post this. Generally speaking, start packing about a week before you leave – it’s AMAZING what you’ll forget if you leave it til the last minute. Happy trails! Dare to imagine, Laura